New Eyes for Old News

Our brainy chum & co-brogger T.—who looks to be the bearded baby had Oliver Reed & Alan Bates conceived during the wrestling scene in Women In Love—has recently produced an crucial video essay.

The essay explores the relationship between Image and Revolution through a sustained examination of the documentary images of the Arab Spring.

Pivotal & dramatic moments of the Arab Spring were viewed globally by millions through live satellite feeds, and we are often told that the revolutionary impulse was driven by these images as they spread across youtube & twitter & facebook &tc.

How should we, a distant audience, understand these images? What exactly do they capture? The spirit of the revolutionary moment?

Central concerns for those who wish to document/study social change. Central concerns for those interested in the power/impotence of political art. In our worlb that is so often mediated by imagery & experienced vicariously through screens of one sort or another, this b necessary commentary.

Program Note: No is lunch break cat video; the essay establishes its argument gradually, diligently over 15 minutes. PREFERRED VIEWING SETTING = INCAN STONE TEMPLE CONVERTED TO MEDIA LABORATORY

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